January 27, 2015 - 15:04 AMT
Spain’s Film Factory nabs Pablo Trapero’s "The Clan"

Zeroing in on one of the most anticipated Latin titles this year, in the run-up to the Berlin Film Festival, Spain’s Film Factory Ent. has acquired world sales rights outside Latin America to “The Clan,” an ‘80s –set suspense thriller which marks the next film from Argentina’s Pablo Trapero (“White Elephant,” “Lion’s Den”), Variety reports.

Film Factory will introduce “The Clan” to buyers at Berlin’s European Film Market, showing a first promo reel. “The Clan” teams major forces behind prestige Latin American productions which break through to seven figure box office in territories abroad: Argentina’s K & S Films and Trapero’s Matanza Cine, Pedro and Agustín Almodóvar’s El Deseo, Fox Intl. Productions and Argentine broadcaster Telefe produce. 20th Century Fox will distribute “The Clan” in Latin America.

Producers are K & S’ Hugo Sigman and Matias Mosteirin, Trapero, and Pedro and Agustín Almodóvar and Esther García at El Deseo.

Part of Telefonica Studios drive, powered by Axel Kuschevatzky, into top-notch Argentina titles, Telefe co-produced “Wild Tales,” as well as Juan Jose Campanella’s “Foosball” and “The Secret of the Eyes.”

Now in post-production, and aiming to be ready for delivery by May 2015, “ the real-event inspired “The Clan” stars Guillermo Francella (“The Secret of Their Eyes,” “Heart of a Lion”), one of Argentina’s biggest marquee draws, as Arquimedes Puccio, the patriarch of Clan Puccio, a well-heeled Buenos Aires family that abducted people from its own neighborhood, benefitting from the facade of respectability enjoyed by their social status and one of their sons playing for the Pumas, Argentina’s national rugby team. Demanding and receiving hefty ransoms, the Puccios then killed their victims. Accomplices in varying degrees in the kidnappings, all the family members benefitted from the ransom payments.

“The Clan’s” action takes in four murders, from 1982 to 1985, during two years of dictatorship and two years of democracy, with the Puccios effectively privatizing the Argentine Junta’s practice of abduction and murder, turning them into a business model. “This is a behind-the-scenes portrait of the Argentine society of the ‘80s which unfortunately has a lot in common with Argentina’s society of today, its double morality, the hypocrisy of many people,” Trapero said on “The Clan’s” set last month.

He added: “It’s also a vision of politics, not state politics, but intimate politics, how the Puccios moved, their links with power, and a film about suffering and absences, which has a larger resonance than just that of the victims of the Puccios.”