Beyond Araxes: The Hidden World of Persian Armenia 
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 Dome of the Bethlehem church (Bedkhem Church), New Julfa, Isfahan, 1628. The church is known for as many as 70 exquisite frescoes and geometric and floral ornaments, authored by famous 17th century artists Minas and Astvatsatur (the latter is most probab
Dome of the Bethlehem church (Bedkhem Church), New Julfa, Isfahan, 1628. The church is known for as many as 70 exquisite frescoes and geometric and floral ornaments, authored by famous 17th century artists Minas and Astvatsatur (the latter is most probab
Photo by: © PAN Photo / Karo Sahakyan
Frescoes of the Bethlehem church, New Julfa, Isfahan, 1628.
Frescoes of the Bethlehem church, New Julfa, Isfahan, 1628.
Photo by: © PAN Photo / Karo Sahakyan
A fresco fragment, St. Mary Church, New Julfa, Isfahan, 1613, Illustrations - 1666
A fresco fragment, St. Mary Church, New Julfa, Isfahan, 1613, Illustrations - 1666
Photo by: © PAN Photo / Karo Sahakyan
St. Mary Church, New Julfa, Isfahan, 1613, Illustrations - 1666
St. Mary Church, New Julfa, Isfahan, 1613, Illustrations - 1666
Photo by: © PAN Photo / Karo Sahakyan
 A fresco fragment, St. Mary Church, New Julfa, Isfahan, 1613, Illustrations - 1666
A fresco fragment, St. Mary Church, New Julfa, Isfahan, 1613, Illustrations - 1666
Photo by: © PAN Photo / Karo Sahakyan
St. Mary Church, New Julfa, Isfahan, 1613, Illustrations - 1666
St. Mary Church, New Julfa, Isfahan, 1613, Illustrations - 1666
Photo by: © PAN Photo / Karo Sahakyan
The Surp Amenaprkich Cathedral (the Holy Savior Cathedral), was founded in 1606 and named after the homonymous church in Old Jugha. In 1655-1664, the double-domed Cathedral of St Hovsep Haremtatsi was built on the site of the old church. In 1636, abbot an
The Surp Amenaprkich Cathedral (the Holy Savior Cathedral), was founded in 1606 and named after the homonymous church in Old Jugha. In 1655-1664, the double-domed Cathedral of St Hovsep Haremtatsi was built on the site of the old church. In 1636, abbot an
Photo by: © PAN Photo / Karo Sahakyan
Tombstone, St Hovsep church, Isfahan
Tombstone, St Hovsep church, Isfahan
Photo by: © PAN Photo / Karo Sahakyan
The dome of St Hovsep church of Surp Amenaprkich Cathedral. In 17-18th centuries, the church was decorated with frescoes, floral ornaments, while the lower section was also adorned with colored tiles, influenced by Islamic art.
The dome of St Hovsep church of Surp Amenaprkich Cathedral. In 17-18th centuries, the church was decorated with frescoes, floral ornaments, while the lower section was also adorned with colored tiles, influenced by Islamic art.
Photo by: © PAN Photo / Karo Sahakyan
Inside the tabernacle of St Hovsep church, Isfahan
Inside the tabernacle of St Hovsep church, Isfahan
Photo by: © PAN Photo / Karo Sahakyan
St Hovsep church, Surp Amenaprkich Cathedral. The unique style of the frescoes is a successful combination of principles of Armenian traditional miniature art, classical European painting and Islamic Persian decorative arts.
St Hovsep church, Surp Amenaprkich Cathedral. The unique style of the frescoes is a successful combination of principles of Armenian traditional miniature art, classical European painting and Islamic Persian decorative arts.
Photo by: © PAN Photo / Karo Sahakyan
Surp Amenaprkich Cathedral, founded in 1606
Surp Amenaprkich Cathedral, founded in 1606
Photo by: © PAN Photo / Karo Sahakyan
 St Hovsep church, Surp Amenaprkich Cathedral. Biblical frescoes, as well as those depicting the activity of Gregory the Illuminator were created by 18th century artists Minas, Hovhannes Mrkuz Jughayetsi, Father Stepanos and others
St Hovsep church, Surp Amenaprkich Cathedral. Biblical frescoes, as well as those depicting the activity of Gregory the Illuminator were created by 18th century artists Minas, Hovhannes Mrkuz Jughayetsi, Father Stepanos and others
Photo by: © PAN Photo / Karo Sahakyan
 The dome of St Hovsep church, series of paintings “The Expulsion from Paradise,” Surp Amenaprkich Cathedral
The dome of St Hovsep church, series of paintings “The Expulsion from Paradise,” Surp Amenaprkich Cathedral
Photo by: © PAN Photo / Karo Sahakyan
Segment of the fresco “The Last Judgement”(1669), St Hovsep church, Surp Amenaprkich Cathedral
Segment of the fresco “The Last Judgement”(1669), St Hovsep church, Surp Amenaprkich Cathedral
Photo by: © PAN Photo / Karo Sahakyan
Fresco, St Hovsep church, Surp Amenaprkich Cathedral
Fresco, St Hovsep church, Surp Amenaprkich Cathedral
Photo by: © PAN Photo / Karo Sahakyan
St Hovsep church, Surp Amenaprkich Cathedral
St Hovsep church, Surp Amenaprkich Cathedral
Photo by: © PAN Photo / Karo Sahakyan
St Hovsep church, Surp Amenaprkich Cathedral
St Hovsep church, Surp Amenaprkich Cathedral
Photo by: © PAN Photo / Karo Sahakyan
Tombstone, Surp Amenaprkich Cathedral
Tombstone, Surp Amenaprkich Cathedral
Photo by: © PAN Photo / Karo Sahakyan
The dome of St Hovsep church, Surp Amenaprkich Cathedral
The dome of St Hovsep church, Surp Amenaprkich Cathedral
Photo by: © PAN Photo / Karo Sahakyan
A manuscript kept in the depository of Surp Amenaprkich Cathedral
A manuscript kept in the depository of Surp Amenaprkich Cathedral
Photo by: © PAN Photo / Karo Sahakyan
Tombstone, Armenian cemetery of New Julfa
Tombstone, Armenian cemetery of New Julfa
Photo by: © PAN Photo / Karo Sahakyan
Tombstones, Armenian cemetery of New Julfa
Tombstones, Armenian cemetery of New Julfa
Photo by: © PAN Photo / Karo Sahakyan
Tombstone, Armenian cemetery of New Julfa
Tombstone, Armenian cemetery of New Julfa
Photo by: © PAN Photo / Karo Sahakyan
The altar of Surp Asdvadzadzin church, 1662, Shiraz. Harutyun Shmavonyan, founder and editor of the first Armenian journal Azdarar (1794-1796) served as a priest at the church in Shiraz.
The altar of Surp Asdvadzadzin church, 1662, Shiraz. Harutyun Shmavonyan, founder and editor of the first Armenian journal "Azdarar" (1794-1796) served as a priest at the church in Shiraz.
Photo by: © PAN Photo / Karo Sahakyan
“Emblems of Armenian Kings” - symbolic emblem representing the future of Armenian statehood, 19th century, Surp Asdvadzadzin church of Shiraz
“Emblems of Armenian Kings” - symbolic emblem representing the future of Armenian statehood, 19th century, Surp Asdvadzadzin church of Shiraz
Photo by: © PAN Photo / Karo Sahakyan
 Armenian cemetery of Tehran
Armenian cemetery of Tehran
Photo by: © PAN Photo / Karo Sahakyan
 Armenian cemetery of Tehran
Armenian cemetery of Tehran
Photo by: © PAN Photo / Karo Sahakyan
A damaged tombstone, Armenian cemetery of Tehran
A damaged tombstone, Armenian cemetery of Tehran
Photo by: © PAN Photo / Karo Sahakyan
 Armenian cemetery of Tehran
Armenian cemetery of Tehran
Photo by: © PAN Photo / Karo Sahakyan
Surp Sarkis Church, Khoy, 1120
Surp Sarkis Church, Khoy, 1120
Photo by: © PAN Photo / Karo Sahakyan
Surp Sarkis Church, Khoy, 1120
Surp Sarkis Church, Khoy, 1120
Photo by: © PAN Photo / Karo Sahakyan
Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
 High relief, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
High relief, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
The panorama of Monastery of Saint Thaddeus
The panorama of Monastery of Saint Thaddeus
Photo by: © PAN Photo / Karo Sahakyan
 High relief featuring an emblem, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
High relief featuring an emblem, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
 Figurative relief in the form of the sun disc, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Figurative relief in the form of the sun disc, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
Chapel, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Chapel, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
 High relief, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
High relief, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
 Monastery of Saint Thaddeus, eastern facade of the old church
Monastery of Saint Thaddeus, eastern facade of the old church
Photo by: © PAN Photo / Karo Sahakyan
Remains of a wine press, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Remains of a wine press, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
High reliefs, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
High reliefs, Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Monastery of Saint Thaddeus, 7th century, rebuilt in 1814, Northern Iran (historic province of Artaz, Vaspurakan)
Photo by: © PAN Photo / Karo Sahakyan
Monastery of Saint Thaddeus, figurative reliefs of the new church (early 19th century)
Monastery of Saint Thaddeus, figurative reliefs of the new church (early 19th century)
Photo by: © PAN Photo / Karo Sahakyan
The Shepherd Church, Old Julfa, 16th century, renovated in the 19th century and 2014
The Shepherd Church, Old Julfa, 16th century, renovated in the 19th century and 2014
Photo by: © PAN Photo / Karo Sahakyan
The Shepherd Church, Old Julfa, 16th century, renovated in the 19th century and 2014
The Shepherd Church, Old Julfa, 16th century, renovated in the 19th century and 2014
Photo by: © PAN Photo / Karo Sahakyan
 The Shepherd Church, Old Julfa, 16th century,renovated in the 19th century and 2014
The Shepherd Church, Old Julfa, 16th century,renovated in the 19th century and 2014
Photo by: © PAN Photo / Karo Sahakyan
Monastery of St. Stephen the Protomartyr, (Maghardavank), 7-10th centuries
Monastery of St. Stephen the Protomartyr, (Maghardavank), 7-10th centuries
Photo by: © PAN Photo / Karo Sahakyan
Khachkars and high reliefs, Monastery of St. Stephen the Protomartyr (Maghardavank), 7-10th centuries
Khachkars and high reliefs, Monastery of St. Stephen the Protomartyr (Maghardavank), 7-10th centuries
Photo by: © PAN Photo / Karo Sahakyan
Monastery of St. Stephen the Protomartyr, (Maghardavank), 7-10th centuries
Monastery of St. Stephen the Protomartyr, (Maghardavank), 7-10th centuries
Photo by: © PAN Photo / Karo Sahakyan
Belfry, Monastery of St. Stephen the Protomartyr, (Maghardavank), 7-10th centuries
Belfry, Monastery of St. Stephen the Protomartyr, (Maghardavank), 7-10th centuries
Photo by: © PAN Photo / Karo Sahakyan
The curved wooden door of the Monastery of St. Stephen the Protomartyr (7-10th centuries)
The curved wooden door of the Monastery of St. Stephen the Protomartyr (7-10th centuries)
Photo by: © PAN Photo / Karo Sahakyan
Figurative reliefs of 12 Apostles on the drum of Monastery of St. Stephen the Protomartyr, (Maghardavank), 7-10th centuries
Figurative reliefs of 12 Apostles on the drum of Monastery of St. Stephen the Protomartyr, (Maghardavank), 7-10th centuries
Photo by: © PAN Photo / Karo Sahakyan
The dome of the Monastery of St. Stephen the Protomartyr (7-10th centuries)
The dome of the Monastery of St. Stephen the Protomartyr (7-10th centuries)
Photo by: © PAN Photo / Karo Sahakyan
The altar of the Monastery of St. Stephen the Protomartyr (7-10th centuries)
The altar of the Monastery of St. Stephen the Protomartyr (7-10th centuries)
Photo by: © PAN Photo / Karo Sahakyan
 The high relief “The Stoning of Stephen the Martyr” on the eastern facade of the Monastery of St. Stephen the Protomartyr (7-10th centuries)
The high relief “The Stoning of Stephen the Martyr” on the eastern facade of the Monastery of St. Stephen the Protomartyr (7-10th centuries)
Photo by: © PAN Photo / Karo Sahakyan
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