Don Askarian: Even garbage can become a subject of my art

PanARMENIAN.Net - "The audience for me is not a gray mass, but a group of personalities, so I expect a various reactions to a film," Don Askarian , director, producer, writer and photographer told a meeting with journalists at the Narekatsy center of arts.



"All my works are aimed at finding the truth and their quality and my freedom are priorities for me," the director said. He also stressed that the subject of his art can be even garbage. "Everything depends on my approach to it," Askarian said.



Director now is working on several new projects, including "Hadji Murad" and "Soghomon Tehleryan'' films. Don Askaryan's films will be screened in Yerevan from January 21 to 25 in the Narekatsy center of arts.



Don Askarian , director, screenwriter, artist, editor. Don Askarian was born in Stepanakert, Nagorno Karabakh. In 1967 he went to Moscow and studied history and art. He worked as an assistant-director and film critic for a year after his study. In 1975-1977 Don Askarian was imprisoned. In 1978 he emigrated from the USSR to West Berlin. For the last 25 years he has lived and worked in Germany, The Netherlands and in Armenia, where he founded his own film companies. He is a prize-winner at several international film festivals. In 1996, Don Askarian published his book "The Dangerous Light". Every year the interest to his unique films grow up. More and more film festivals come to honor Don Askarian with retrospectives. Serious TV-stations like ARD, WDR, ZDF, Channel 4, Arte, but also Belgian, Greek, Swiss, Slovakian, Armenian etc. TV Channels are constant co-producers and buyers of all his films. The films of Don Askarian were sold and broadcast world wide about 80 times. Don Askarian, honored with a Harvard Film Archive retrospective, is considered the greatest Armenian filmmaker (but he is Russian-German-Dutch too).



In 2004, he received the Golden Camera Award for Life Achievement at Int. ART Film Festival, Slovakia. It turns out to be clearer what Hans-Werner Dannowski, the president of Interfilm (between 1989-2004), meant in 1992: "Time will pass until we recognize that Don Askarian is one of the most important filmmakers of our times. His movies will take up the time they need. Finally the films will have their success not with lies and assimilations but with truth." The retrospectives and special screenings around the world, on TV and important film festivals reflect it, mirror the growing interest in Don Askarian's films followed by a broad fascination by the audience.